A homage to a church carved into a rock in Finland. But also, a filmic essay, accompanied by various quotations, recited by a woman’s voice. Seamlessly connecting the images and texts: deep melancholy, the wounds of our time, and the longing to no longer be “all by myself.”

During a spur-of-the-moment trip to St. Petersburg, chief financial officer Elena unexpectedly meets the man of her dreams – and then, equally unexpectedly, loses him again. She has nothing to go on, so she breaks out everything she's got to hunt him down: logical deduction, supernatural forces, her friends' help, a new guy she's met, a retreat, and much more. Since she was a little girl, Elena has always "taken life at a march," climbing the career ladder with frankly alarming determination, never letting herself get waylaid by romance or relationships. She's always been like that – right up until this weird, accidental, incredibly lucky meeting. In the new episodes, Elena gets back to hunting down the one that got away, using every aboveground (or underhand) method available to her. She rushes headlong into it, makes mistakes, falls down, but keeps going, making the difficult journey toward love and affection, and, most importantly, finding herself.

A wonderful dark tale of coming of age in a country in transformation - then Czechoslovakia (now Slovakia) in 1990s. Against the backdrop of a regime change and general crisis of basic values, a young man is finding his way into adult life. Playing a part in a love (hate?) triangle he does not fully understand until the conclusion, he desperately tries to make sense of the unpredictable behavior of the other two main characters which is linked to the secrets lurking in their past. All this while he is not sure about his own role in a world where yesterday's truths mean nothing today. Brilliant actors in a brilliant film that even gives you a glimpse of hope at the end.

A hardened cop tries to unravel the past to discover whether a violent teenager was responsible for the murder of his family. A confused fifteen-year-old runaway becomes enthralled with the young man.

Seven men, all city-dwellers aged between 17 and 70, with nothing in common apart from the fact that they are all on the verge of a nervous breakdown, meet up at a lonely sta- tion for an unusual course in the wild that is supposed to get them back on their feet. Each step in this boot camp, designed by an eccentric and feisty female coach, aims to reveal them to themselves. The task seems to be a tough one, especially as nothing goes as planned between these men.

Four middle-aged men concoct a scheme which involves them insuring their lives, so that if one of them dies the others inherit a tidy sum. Suddenly fate throws a darkly comic chain of mishaps their way:

Traffic is delayed on the edge of a roadwork site, but what are the council workers doing? A privileged encounter with a secret somber ritual of working men. This is the second in Andrew Kavanagh’s trilogy (after the successful "At The Formal’) exploring tribalism and ritual in contemporary society.

1st in a 6-film series. The W.R.C. is the largest yakuza-run conglomerate in Japan, and a war for succession begins when the current Chairman suffers a fatal traffic "accident". Tadano (Namioka Kazuki), the secretary to the current Vice-Chair Konno (Noguchi Masahiro), is the only survivor and is haunted by flashbacks. His brother-in-arms, Board Director Umehara (Ozawa Hitoshi), a fellow Zainichi Korean, is in competition with the ruthless Director Tamura (Sugata Shun) for the top spot. The feud is goaded by the secret placement of spies within the WRC by the Tokyo Police's "Unit Zero", spearheaded by the sly Inspector Sano (Shinsui Sanshou), and cracks begin to form in the organization and between brothers ...

Meet the dazzling line-up of male stars who bring Midway to life. Nick Jonas, Ed Skrein, Aaron Eckhart, Patrick Wilson, Darren Criss, Dennis Quaid, Woody Harrelson and their collaborators reveal the preparation and hard work required to play the sailors who put their lives on the line to win the War of the Pacific

Tracey, a hyperactive, inarticulate bicycle courier who unsuccessfully woos his girlfriend, watches Star Trek videos and delivers packages for a women's erotic magazine, "Bad and Beautiful". As the female staff produce their new issue, they are watched by builders restoring their crumbling office block - each of them with an interest in the women within.